Henrique oliveira biography books

  • Jorge Henrique Lopes de Oliveira has been a writer for a long time.
  • Henrique Oliveira is an internationally recognized artist, born and raised in Brazil.
  • HENRIQUE OLIVEIRA PORTUGUES WORKS BIOGRAPHY TEXTS EXHIBITIONS NEWS MONOGRAPHIC PUBLICATIONS CONTACT ☰.

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    Title: Henrique Oliveira
    Texts: AMARAL, Aracy; FARIAS, Agnaldo
    English/Portuguese, 320 pages
    Publishers: Sesi-SP, Cosac Naify, Galeria Millan | S�o Paulo, Brazil, 2016
    ISBN 978-85-504-0099-0



    Title: Henrique Oliveira
    Authors: BEMBEKOFF, Marc; SCOVINO, Felipe
    English/French, 80 pages
    Editor: SAM ART PROJECTS, Paris, France, 2013
    ISBN 979-10-91080-030-3



    Title: Urban Skin
    Texts: DUARTE, Luisa; R�CKERT, Genoveva; VOGEL, Sabine
    English/German, 112 pages
    Publisher: OK Books (Offenes Kulturhaus) - Linz, Austria, 2012
    ISBN 978-3-85256-599-6



    Title: Henrique Oliveira
    Text: KLABIN,Vanda
    English/Portuguese, 40 pages
    Published by: Centro Municipal de Artes H�lio Oiticica, Rio de Janeiro, Brazil, 2012
    ISBN 978-85-65710-02-2



    Title: Henrique Oliveira
    Text: AMARAL, Aracy
    IEnglish/French, 26 pages + 1 folder
    Published by: Galerie Georges-Philippe & Nathalie Vallois, Paris, France, 2011



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  • henrique oliveira biography books
  • Henrique Oliveira

    Now in his mid-forties, the Brazilian artist Henrique Oliveira has a long exhibition history in both Latin America and Europe, not to mention scattered shows in the United States, but his installation Devir (Becoming), 2017, at Van de Weghe Fine Art was his first appearance in New York. As such, it may not have been completely representative: He is capable of very large-scale installations—Transarquitetônica (Transarchitectural), a maze of wood and brick tunnels at the Museu de Arte Contemporânea da Universidade de São Paulo, in 2014, filled a space around 240 feet deep, while another walk-in piece, A origem do terceiro mundo (The Origin of the Third World), at the São Paulo Bienal in 2010, needed only around 150—but Devir was a mere twenty-eight feet wide. Even so, it completely filled the gallery, taking the form of a massive wooden tree that seemed to sprout from one wall of the space and run across it horizontall

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